Happy If

My mind hiccups thoughts, random narratives laced with a false promise:

Dog doo inconsiderately on the path, car impatiently close, expected assurances not forthcoming, too rainy, too sunny, too too too, stirring commotion rippling my glassy silence, underwear creeping, aching back, hard chair, foggy mind, anxious energy, decaying global environment; if only I were faster, calmer, wiser…

My mind is offering to sell me an air substitute. The mere offer can stimulate doubt that air is available, can stimulate a belief that I need to find a substitute.

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A Leaf’s Story

What is truth, to whom is it told
Once it is said the truth grows old
What once did no longer applies
So change we must if truth survives

What say the leaf as it does fall
Reaching the ground with gravity’s call
Do leaves complain of changing seasons
Leaves know that right need no reasons

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“I don’t have the Confidence to pull That off!”

I overheard a conversation between two teenage girls. They stood captivated in the shopping mall, staring at some on-the-edge outfit displayed in a fashion store window. One girl said to the other: “I don’t have the confidence to pull that off! But you might”.

So what is confidence? My youthful narrative of confidence was simple: “I will be confident when I’m skillful enough to accomplish what I intend”. I saw confidence as a security born from self efficacy, it was an internal narrative borrowed from my ambient culture which told me: “You will be confident when you are competent”. Though I desired confidence, a form of inner stability, my understanding was ironically destabilizing. My inner stability was held captive to the unachievable condition that: “when I master my influence over external circumstances, I will have inner stability”. When I see my internal narrative, exposed to the light in words, its incongruence is often sobering.

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Discovering Unseen Stories

Most of our immediate world is unseen, and we’re often  blind to our own stories. Our stories extend our senses into our personal understanding. We build stories of the world in our minds and bodies, stories as models, stories as images, and visceral stories captured in our emotional relationships with the world. These intertwined stories comprise our personal story ecosystem.

We work to integrate what we do see into our story ecosystem. Our stories are theories about forces, intentions, thoughts and interactions. They help us to “make sense” of what we see. We test our stories in our lives; our life is our experiment with our storied theories.

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Pete’s Constellation

Written January 2010 (Revised 15 November 2010)

Pete gave me a lesson in the power of infectious longstories.

Pete is a roughly handsome and fit looking 60+ year old man, of medium build, with a rugged longshoreman’s face and New York-German accent, complete with bulbous nose and bald head (I assume it’s bald, he usually wears a fisherman’s knit cap). That’s Pete in the picture.

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The Shared Story is the Simulation

Our back-of-the-envelope insight was the pot at the end of our story-bow.

In 2001, working for a consulting company called BiosGroup, in Santa Fe, NM, I was put in charge of a project for a liquid air company. The objective was to develop software to optimize production and delivery of liquefied air products such as liquid nitrogen and liquid oxygen. We were hired by the company’s Production Department.

I listened to staff members from both the Production and Delivery Departments as each told their liquid air story. I fashioned diagrams and took notes to capture their collective narrative, integrating their individual stories into a single shared story. At the time, I didn’t fully appreciate that we were constructing both a silicon based computer optimizer and a carbon based mental simulation. Each time I reflected our accumulated story back to the staff, for their verification and adjustments, a community was growing around our shared story simulation. Though the staff of both departments had been living their separate parts of this story for years, this collective story community had never been formed.

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Crazy Dancers

Eyes closed, he unselfconsciously bobbed and swayed, occasionally mouthing lyrics only he could hear. On a shuttle from Flagstaff to Phoenix’s Sky Harbor Airport, I was sitting behind a middle aged man lost in his mp3 player.  He was the metaphor I was seeking. He reminded me that “when we don’t hear the music, the dancers look crazy”.

This crazy dancer reminded me that our stories are our music. We’re all dancing to our personal storied lives. We’re dancing to the stories that animate us. When I remember that we’re all crazy dancers, I hold the world, and my opinions, more lightly. I’m more inclined to listen for the narrative tunes that animate others, and to recognize the unfamiliarity that my narrative tune may pose for them.

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Finding Meaning Through New Longstories 2

InfiniteLoveOur influence on future terrestrial life is our tangible and concrete after-life.

Humans are currently suffering in a shared global longstory crisis.  Longstory crisis is my way of saying that our current global stories and objectives lack meaning for our collective future. Our crisis grows as our population and technical capacity grows in its influence on the future state of our planet.  We recognize that the stories we are living may drastically compromise possibilities for future life. Since stories are the foundation of our relationships with each other, a new shared global longstory is needed.  We need a story that resonates broadly and binds us in coherent resonance with others living in the present and attends to the needs of future life.

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Finding Meaning Through New Longstories

Welcome,

Though this site is still under construction, I am adding this first post to get the juices flowing. I have added background to the About Author page, and I’m in the process of writing an introduction on the About page, to introduce the field of topics I intend to discuss on this blog.

I’m beginning with Longstories due to its broad scope and potential for priming the pump. It’s a bit like starting somewhere in the middle. I enjoy starting books by reading from the middle to see where they might go.

I believe longstories have the potential to frame our experiences on multiple levels. I hope you enjoy this story of stories.

Warm Welcome,
David

Finding Meaning Through New Longstories

David R. Thompson: Problem Resolution Advocate
1 November 2010

We live through stories and our stories animate us.  Our stories are our relationships with each other, with ourselves and with our life, and we relate only with those who are included in our stories. We need broadly scoped stories, broadly scoped in time, space and significance, to provide context and meaning for our more immediate story driven lives. In the spirit of Stuart Brand’s Long Now Foundation, in their effort to encourage long term thinking on the scale of ten thousand years, I will call these broadly scoped stories longstories. Not all longstories are on a thousand year time scale, and longstories need not be long to tell. By longstories I mean future stories that contextualize, nurture, and guide the development of other stories, the stories by which we live our daily lives. Meaning is derived from our longstories.

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